The K-Pop Superstars Live show is a tribute to massive global acts like Blackpink.
Photo by Emma McIntyre/Getty Images for Coachella
A new touring production will soon give San Antonio kids a way to work off pent-up energy before bedtime. K-Pop Superstars Live, a concert tribute combining music from global superstars with imagery from Netflix smash KPop Demon Hunters, will stop by The Rock Box (1223 E Houston St) on May 22. Wear earplugs.
The production comes from entertainment studio Locomotive, whose main mission is to deliver nightlife experiences to parents and elder Millennials who don’t want to party until 1 am. Shows like the Dayshift afternoon disco and the rave-like Bingo Loco start early, so attendees won’t have to turn the camera off in their early morning Zoom.
While most of the company’s programming is aimed at adults, K-Pop Superstars Live is an all-ages affair. Guests can expect anime-inspired visuals, confetti storms, and choreographed live musicians covering songs from monster groups BTS, Fifty Fifty, and Blackpink, plus solo hits from Rosé and Jungkook.
"K-Pop cracked something most entertainment hasn't, real shared fandom across generations where parents and kids show up equally bought in," explains Locomotive founder Craig Reynolds, in a release. "As a new parent, I want high-energy, low-pressure experiences built for families to celebrate music they love and prove growing up doesn't have to be boring."
Although the shindig welcomes toddlers and preteens, alcoholic beverages will be served for those of age. Weary parents can have a couple of Miller Lites, put the kids to bed, and still have time for a couple of episodes of The Pitt before calling it a night.
Doors open at 4 pm with the show kicking off at 5:30 pm. Tickets are $43, including all fees, with passes required regardless of age.
The Mandalorian (Pedro Pascal) and Grogu in The Mandalorian and Grogu.
At one point in the 2010s, there were plans to release a different Star Wars movie every year, with an “Episode” film (like The Rise of Skywalker) alternating with anthology movies like Rogue One. But when 2018’s Solo underperformed, those plans changed, and the pandemic made any Star Wars movie less appealing, with Lucasfilm shifting heavily toward TV shows like The Mandalorian.
The popularity of that show in particular has led to the return of Star Wars to the theaters in the form of Star Wars: The Mandalorian and Grogu. The film follows the bounty hunter (Pedro Pascal) and his Force-sensitive adopted child as they travel around the universe, hunting down the remaining members of the Galactic Empire (the film, like the series, is set in the years following The Return of the Jedi).
The main thrust of the film has the duo, at the behest of Colonel Ward (Sigourney Weaver) of the New Republic, trying to track down Rotta the Hutt (voiced by Jeremy Allen White), the son of the late Jabba the Hutt, who’s supposedly been kidnapped. The discovery of the ultra-buff Rotta sets them down a different path than they thought, one that puts Mando and Grogu in the crosshairs of Rotta’s twin cousins.
Directed by Jon Favreau and written by Favreau, Dave Filoni, and Noah Kloor, the film is perfectly fine if you consider it to be an extended Mandalorian episode, but at no point does it rise to the level of a great movie experience.
The film, like the show, is defined by the Mandalorian’s unflappable nature and strict code, as well as Grogu’s mischievousness and unquenchable appetite. Right from the start, the Mandalorian has a “take no prisoners” approach, laying waste to all comers in a PG-13 sort of way. Grogu is mostly along for the ride, occasionally breaking out the Force to help out, but mostly serving as the comic sidekick. Their relationship keeps the film watchable, but only just barely.
The biggest issue, one which was starting to affect the Disney+ show as well, is that the story never seems to go anywhere despite the fact that its two main characters are constantly on the move. No matter how big or ferocious the opponent they face, the overall stakes are so low as to almost be nonexistent. If Favreau and Filoni (who has a small part in the film) are trying to build toward some larger story, it doesn’t come through on screen.
The film’s action fits in well with sequences that have been put forth in previous Star Wars films, but to call them “cinematic” would be stretching things. There are all manner of monstrous creatures that the duo comes across in their adventures, but only a few of them are memorable. The most interesting sequence features a snake/dragon hybrid that Mando fights in a watery pit that is reminiscent of the trash compactor scene in the original Star Wars. Much of the rest of the film blends together in a mish-mash of uninteresting opponents.
For a live action film, there are precious few actors who actually show their faces. The Mandalorian removes his helmet exactly once, making it clear that Pascal is merely providing the voice for the character. White affects a tough voice for Rotta that may be canon, but frankly sounds ridiculous coming from the character’s body and in no way resembles White’s actual voice, which negates his casting altogether. Weaver is close to a non-factor in her small role, but Martin Scorsese is kind of fun voicing a four-armed fry cook/informant.
The cachet of Star Wars and the fun of The Mandalorian series may be enough for many to enjoy the inoffensive lark that is The Mandalorian and Grogu. But the film does not come close to reaching the heights of the best Star Wars movies, and does nothing to indicate what to expect from the valuable intellectual property going forward.
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Star Wars: The Mandalorian and Grogu opens in theaters on May 22.
