Over 30,000 fans packed Lone Star Brewery for the inaugural Mala Luna Music Festival on October 29-30. And the sold-out crowd proved that Alamo City can support high-profile fests.
The two-day affair brought in some of the buzziest names in EDM and hip-hop, including Kaskade, Travis Scott, G-Eazy, Steve Aoki, Tory Lanez, Lil Yachty, Rae Sremmurd, and more.
"We felt the inaugural year of Mala Luna would work best if we focused on EDM and hip-hop and then grow from there," said Zach Paul, event producer, in an interview. "To have these types of headliners the inaugural year of the fest is very exciting for us, and the reaction and feedback we have gotten from the fans thus far has been amazing."
But this festival was about more than just music. A collaboration with Centro San Antonio brought in visual artists to create live installations on the grounds. Mala Luna also featured food, fun vendors,and other unique elements that celebrated Halloween and Diá de los Muertos.
"We want Mala Luna to be a reflection of the culture and the people of San Antonio," Paul told CultureMap. Scroll through the photos above for some of the highlights.
While the sport of pickleball was invented way back in the 1960s, it has exploded in popularity in the 2020s. It was only a matter of time before someone figured out a way to make a movie about the craze, and a comedy like the new Apple TV+ film The Dink provides the best way to honor and make fun of the divisive sport at the same time.
Dusty Boyd (Jake Johnson), aka The Hammer, is a former tennis phenom who’s now working as an instructor at a club owned by his dad, Chuck (Ed Harris). While the two don’t always see eye-to-eye, they have a mutual hatred for pickleball, which they have begrudgingly allowed on the property by giving it the worst court.
Dusty is hoping to stop all future pickleball expansion by winning a one-on-one grudge match, but when he injures his wrist, he’s given a prescription of pickleball as a form of rehab. Older women like Candace (Mary Steenburgen) are the only people he can find to play with, and despite his disdain for the sport, he soon falls prey to its low-key charms.
Directed by Josh Greenbaum (Will & Harper) and written by Sean Clements, the film is probably the best advertisement pickleball will ever have. Dusty’s introduction to the sport serves as a lighthearted tutorial for the uninitiated while still getting in some nice digs at its expense. The other players - Candace, Gail (Cleo King), and Judy (Lynn Marie Stewart) - are equally welcoming and critical of Dusty, who initially has trouble adjusting to the game’s different rules.
The film’s approach to the story is silly but never stupid. Dusty is a blowhard, but he’s also able to admit when he’s wrong, especially when Candace introduces him to multiple things he had never considered before. A long-standing feud between Dusty and Andy Roddick provides more than just a goofy cameo for the real-life tennis star. The film also pushes right to the edge of being over-the-top before pulling back, allowing it to keep a semblance of reality to it.
Clements’ story follows a tried-and-true formula, making the film very predictable but enjoyably so. Where it earns its comedy credentials is in its finer details, like Dusty’s love for his 1999 Buick LeSabre with under 200,000 miles on it, his trunk full of old VHS tapes, or his interactions with his assistant PJ (Aaron Chen), who manages to be the comic relief in an already funny film.
Johnson, probably best known for starring in the sitcom New Girl in the 2010s, has the right amount of smarm and niceness to pull off the role, letting viewers laugh at and root for him at the same time. The film is full of comedy all-stars in small roles like Oswalt, Chris Parnell, and Ben Stiller, but Harris steals everyone’s thunder. The line readings by the four-time Oscar nominee give an extra punch to his character’s jokes, especially one that hints at the sordid history of the tennis club.
It’s a shame that The Dink is only playing on a streaming service, as there’s a dearth of good comedies like this in movie theaters. With a solid joke-telling approach, a respect for its subject matter, and a cast who all play off each other well, this is a film that deserves to be seen by more than just those with an Apple TV+ subscription.
