Take Care of Texas, and you might get to see Blake Shelton perform.
Courtesy photo
What do you get the person who has everything? Hint: It's not another "thing."
This holiday season, consider gifting experiences instead of items — and you won't even have to wrap them.
According to Take Care of Texas, a statewide campaign to conserve and protect our one and only Lone Star State, about 8,000 tons of wrapping paper is used each year. Most wrapping paper contains glitter or metallic materials —which means it can’t be recycled — and ribbons, bows, and gift tags also aren’t recyclable.
To help you get into this new holiday groove of gifting time together instead of stuff, TCOT has a pretty amazing experience to give away.
Sign the Take Care of Texas pledge this winter and you'll be entered to win two tickets to Blake Shelton's Back to the Honky Tonk Tour, presented by Kubota.
Shelton's only stop in Texas is at the world-class Moody Center on March 1, 2024, where he'll be backed by opening acts Dustin Lynch and Emily Ann Roberts. This is your chance to hear Shelton sing "Austin" in Austin!
The prize package also includes a one-night stay at the luxurious Thompson Hotel Austin, so you can return from the Friday night concert and sleep in style.
To enter, simply click here and take the pledge to help keep our air and water clean, conserve water and energy, and reduce waste.
The contest is open through December 31, and you only need one entry per person. The winner will be drawn on January 2, 2024.
Monster movies can take on all sorts of different flavors, from all-out mayhem to quieter ones where the monster can sometimes be the protagonist. The new South Korean film Hopesplits the difference to a degree, delivering action-packed sequences while also attempting to understand the non-humans in a way.
The story starts in medias res, with an unseen creature having already done great damage to a huge bull and laying waste to much of a small Korean town. The local sheriff, Beom Seok (Hwang Jung-Min), tries to take control of the situation in the town, while a group of hunters led by Sung Ki (Zo In-Sung) travel into the nearby woods to see what they can find there.
Thus starts a nearly nonstop, 160-minute epic of each side trying (and mostly failing) to defend themselves against gigantic creatures who seem hellbent on destroying everything in their path. It’s not until 40 minutes into the film that the audience is shown one of the monsters in detail, and the less said the better about what it actually looks like, as the mystery behind it keeps the intrigue going.
That initial section of the film is the best, as Beom Seok — eventually joined by deputy Sung Ae (Hoyeon) — goes on a frantic hunt around the town, always just far enough behind the monster to keep from seeing it. The utter destruction he witnesses and his interactions with various locals are intense and oddly funny, with the hectic conversations he has laced with fear and incredulity over how different people choose to act.
Writer-director Na Hong-jin bounces back and forth between the people in the town and the group in the forest, doing his best to maintain the momentum of the first section. This approach works for a while as each group makes their own discoveries about the creatures and has run-ins with them that more often than not are ill-fated. Using a mixture of relatively good CGI, great production design, and an abundance of gore, the filmmaker shows he knows how to make an effective blockbuster-style film.
The trouble is, he doesn’t know when to stop. Somewhere around the two-hour mark of the movie, the story starts to become repetitive and Hong-jin introduces elements that don’t mesh well with what has come before. For some reason, he decides that some of the creatures should speak, a move that is baffling on several fronts. The biggest one is that they are voiced by English-speaking actors like Michael Fassbender, Alicia Vikander, and Taylor Russell, but each speaks a non-human language, rendering their performances moot.
Jung-min puts in a fantastic lead performance, one that requires him to vacillate between abject terror and in-control leadership. In-Sung is almost as good, although his character requires him to play one note over and over again. Hoyeon, who some may recognize from Squid Game, delivers an extra shot of energy when she enters the film, something she keeps going despite her character being forced to say some bad lines.
If Hong-jin had kept the focus Hope a little tighter, the sci-fi thriller might have ended up toward the top of this year’s films. But by choosing to extend the story into territories that don’t add much to the plot or make much sense, the filmmaker puts a damper on what was a fun and brutal monster movie.
