The Texas Tailgaters grill hot dogs in the middle of a game.
Photo courtesy of San Antonio Missions.
Zany baseball phenomenon Banana Ball is swinging back into San Antonio's West Side as the Texas Tailgaters take on the Loco Beach Coconuts on June 26-27, 2026, at Nelson Wolff Stadium. The lottery for the coveted tickets is now open through October 31.
The Tailgaters are part of the league that famously includes the Savannah Bananas, a pro baseball team that has become viral for their on-field antics and breakneck game play. Banana Ball also thumbs its nose at traditional baseball rules, enforcing a strict two-hour time limit, banning bunting and walks, and allowing fans to catch foul balls for outs.
Much like the Harlem Globetrotters, the teams are also known for stunts. Players break out into dance routines (the Tailgaters are fond of country-style line dances), throw merch into the crowd, and even roll up to the batter's box on a unicycle. Between innings, fans come out to the field to compete in silly races involving pig suits and inner tubes.
The Tailgaiters versus Coconuts series is the second appearance for Banana Ball at Nelson Wolff Stadium. In September, the Tailgaters battled the Party Animals in two rowdy (and dusty) matchups. Despite their raucous reps, both teams took some time to give back to the community, visiting patients at Christus Children's Hospital.
The 2026 visit to Nelson Wolff Stadium is part of the massive 2026 Banana Ball World Tour. While the Savannah Bananas will only be stopping by Globe Life Field in Arlington on September 25-27, 2026, fans can see the Texas Tailgaters play at Riders Field in Frisco on March 7-8, at Dell Diamond in Round Rock on March 14-15, and at Constellation Field in Sugar Land on August 28-29.
Tickets to the spectacle are sold exclusively through a lottery system at bananaballticketlottery.fansfirsttickets.com. Prices run $35-$125 with meet-and-greets available. League reps warn fans to be wary of third-party sellers, which can jack up prices or even be frauds.
You Can Color Outside the Lines director Joe Salinas and producer Andrew Leeper at Sound Unseen Festival.
A new documentary tells the story of one of Texas' most beloved early punk bands. You Can Color Outside the Lines: The Story of the Big Boys, originally premiered in June, but director Joe Salinas and producer Andrew Leeper are currently working out more Texas and international screenings.
The Big Boys, formed in the late ‘70s, blended ska and funk in a way that was much ahead of their time. Though they may be obscure among mainstream artists, they achieved a level of niche success that was foundational for skate punk and the wider hardcore scene. That was especially true in San Antonio, where early gigs at Taco Land and the Bonham Station helped inspire the local scene that spawned the Butthole Surfers.
Famous faces show up early to sing the band's praises, including actor and musician Fred Armisen, Pearl Jam's Jeff Ament, X's Exene Cervenka, and skateboarding legend Tony Alva. But the film doesn't bother identifying most of its interview subjects until much later. It assumes viewers already know who's who.
That sort of inside baseball holds true throughout. The film moves fast through bands, labels, people, and scenes from the late '70s and early '80s without much explanation for anyone new to the subject. Anyone hoping for a beginner's guide to the scene should look elsewhere.
The doc follows the Big Boys' trajectory from beginning to end. The band started as a group of five skateboarding friends in Central Texas, long before they got on stage together. It was almost as an afterthought that the crew — who all happened to be gifted musicians as well as skaters — threw together a show one night. Tim Kerr would end up on guitar, Chris Gates on bass, Randy "Biscuit" Turner on vocals, Nathan Gates on trombone, and Steve Collier was the original drummer.
"If it was not for skating, this band would have never happened," guitarist Tim Kerr says in the film.
That skate crew found its way to Raul's, a grungy club in Austin that became ground zero for the city's punk scene after the Sex Pistols played San Antonio in 1978. The film traces how the band became regulars at Raul's, and how the venue turned into a haven for what the narrator calls "Austin weirdos."
Fronted by the wild, unpredictable Randy "Biscuit" Turner, the Big Boys quickly built a local reputation on blurring the line between the stage and the crowd. Fans regularly climbed up to perform alongside the band. The group drew from punk, funk, and swing, and it featured women on backing vocals, something almost unheard of in punk at the time.
Although the documentary doesn’t hold the hands of punk newbies, a wider audience might enjoy its ream of archival photos and footage of Old Austin: Raul's, the Ritz, kids skating in ditches, shows that spilled off the stage and into the crowd. Watching it, this doesn't look like the Austin anyone knows today. Ian MacKaye of Minor Threat, one of many big names interviewed, describes arriving in the city like "coming to Oz or something, in the middle of Texas."
Even viewers who've never heard of the Big Boys or don't know a single other band mentioned in this film will walk away with that message. Austin was a genuine safe haven for freaks, misfits, and anyone who didn't fit the mold, and somewhere between then and now, it feels like the city has smoothed itself out. This film is a reminder of what got lost along the way.
That old Austin scene wasn't just about the music, either. As the film points out, "punk" was a sort of catch-all for anything outside the mainstream, including the city's LGBTQ community. Meanwhile, there was animosity from both hippies and UT fraternities toward the punks, and Raul's sat surrounded by frat houses, right in the middle of a culture war playing out along the drag.
The doc largely avoids band members' personal or emotional lives until about three-quarters of the way through, when it touches on Turner's sexuality. A huge clash occurred between Big Boys and band Bad Brains when they learned he was gay. In one strange moment, a member of Bad Brains appears ready to apologize on camera, decades later, before the film abruptly cuts away.
The denouement details the end of the Big Boys, culminating in their final show in 1983 at Liberty Lunch. At that point, exhaustion, money troubles, and one too many blowups quietly ended the band. Turner died in 2005 at age 55, and the film closes as a sort of tribute to him, built from the fond, sometimes regretful memories of the bandmates he never fully made peace with.
For anyone who already loves the Big Boys or came up in that scene, the film plays like a reunion, full of names and details only the initiated will catch. But it's just as worthwhile for Texans who remember, or wish they'd caught, the city before it changed.
No screening are currently scheduled in San Antonio, but fans can check the website or Instagram for updates.
