Batman and Superman are teaming up with a new ride at Six Flags Fiesta Texas. On Thursday, August 3, the San Antonio amusement park revealed plans to open the first-ever Wonder Woman roller coaster in 2018, completing the "DC Super Hero Trilogy of Rides."
Wonder Woman Golden Lasso Coaster is introducing a lot of firsts to Fiesta Texas. Not only will it be the only Wonder Woman-themed attraction the world, but it is also the first coaster to use a single I-beam rail.
"Six Flags continues to lead the industry in introducing innovative coasters, rides, and attractions, and Fiesta Texas boasts a number of technological firsts," Six Flags Fiesta Texas president Jeffrey Siebert says in a release. "Continuing that tradition, Wonder Woman Golden Lasso Coaster joins her fellow DC super heroes as the first-ever single rail streamline designed coaster."
Thrill seekers will ride in a single-file line on the coaster, which boasts a 90-degree drop, a zero-gravity roll, an uphill spiral, a 180-degree stall, and more. The ride will explore Wonder Woman's origins on the fictional island of Themyscira, home of the Amazons, so expect a lot of tropical greenery and Greek architecture.
Ready to ride? You'll have to wait — but not too long. Wonder Woman Golden Lasso Coaster is expected to start rolling in spring 2018.
Wonder Woman Golden Lasso Coaster is coming to Six Flags Fiesta Texas.
Rendering courtesy of Six Flags Fiesta Texas
Wonder Woman Golden Lasso Coaster is coming to Six Flags Fiesta Texas.
In Hollywood’s never-ending quest to take advantage of existing intellectual property, seemingly no older movie is off limits, even if the original was not well-regarded. That’s certainly the case with 1997’s Anaconda, which is best known for being a lesser entry on the filmography of Ice Cube and Jennifer Lopez, as well as some horrendous accent work by Jon Voight.
The idea behind the new meta-sequel Anaconda is arguably a good one. Four friends — Doug (Jack Black), Griff (Paul Rudd), Claire (Thandiwe Newton), and Kenny (Steve Zahn) — who made homemade movies when they were teenagers decide to remake Anaconda on a shoestring budget. Egged on by Griff, an actor who can’t catch a break, the four of them pull together enough money to fly down to Brazil, hire a boat, and film a script written by Doug.
Naturally, almost nothing goes as planned in the Amazon, including losing their trained snake and running headlong into a criminal enterprise. Soon enough, everything else takes second place to the presence of a giant anaconda that is stalking them and anyone else who crosses its path.
Written and directed by Tom Gormican, with help from co-writer Kevin Etten, the film is designed to be an outrageous comedy peppered with laugh-out-loud moments that cover up the fact that there’s really no story. That would be all well and good … if anything the film had to offer was truly funny. Only a few scenes elicit any honest laughter, and so instead the audience is fed half-baked jokes, a story with no focus, and actors who ham it up to get any kind of reaction.
The biggest problem is that the meta-ness of the film goes too far. None of the core four characters possess any interesting traits, and their blandness is transferred over to the actors playing them. And so even as they face some harrowing situations or ones that could be funny, it’s difficult to care about anything they do since the filmmakers never make the basic effort of making the audience care about them.
It’s weird to say in a movie called Anaconda, but it becomes much too focused on the snake in the second half of the film. If the goal is to be a straight-up comedy, then everything up to and including the snake attacks should be serving that objective. But most of the time the attacks are either random or moments when the characters are already scared, and so any humor that could be mined all but disappears.
Black and Rudd are comedy all-stars who can typically be counted on to elevate even subpar material. That’s not the case here, as each only scores on a few occasions, with Black’s physicality being the funniest thing in the movie. Newton is not a good fit with this type of movie, and she isn’t done any favors by some seriously bad wigs. Zahn used to be the go-to guy for funny sidekicks, but he brings little to the table in this role.
Any attempt at rebooting/remaking an old piece of IP should make a concerted effort to differentiate itself from the original, and in that way, the new Anaconda succeeds. Unfortunately, that’s its only success, as the filmmakers can never find the right balance to turn it into the bawdy comedy they seemed to want.
