Bill Burr brings his real talk to AT&T Center in December.
Bill Burr/Instagram
Edgy, insightful, and a little fed up with pretty much everything, comedian/actor/podcaster Bill Burr has earned a loyal following for his deadpan takes on pop culture, sports, and society as a whole. “When are mom and dad gonna stop arguing over gender-neutral bathrooms you can hang an AR-15 in?” he asks.
San Antonio Burr fans can catch takes such as these when he hits AT&T Center on December 17 for his new (Slight Return) tour. Burr will also make Texas stops at Toyota Center in Houston on September 9, American Airlines Center in Dallas, on September 10, and the Moody Center in Austin on December 16. His San Antonio stop will be the last date on his 53-city tour.
The Grammy-nominated comedian regularly sells out venues internationally; his Monday Morning Podcast is one of the most downloaded comedy podcasts available. He’ll host his new Netflix special, Bill Burr Presents: Friends Who Kill on June 6. He just wrapped filming the feature, Old Dads, which he will star in and also co-wrote and directed.
A streaming presence, Burr’s animated Netflix series, F Is For Family, just ended its fifth and final season starring Burr, Laura Dern, Justin Long, and Sam Rockwell. He also boasts a Roku series, Bill Burr Presents: Immoral Compass. Last September, Bill had a guest appearance on the hit FX on Hulu series, Reservation Dogs, as well as a fan-favorite spot on the Disney+ streaming smash, The Mandalorian.
Burr also popped up in Hollywood features with A-listers in The Front Runner, Daddy’s Home, Heat, and Stand Up Guys. Breaking Bad fans know him well as Kuby.
On August 21, Burr will make history as the first comedian to perform at Fenway Park.
Jack Black, Jason Momoa, and Sebastian Hansen in A Minecraft Movie.
Photo courtesy of Warner Bros. Pictures
One reason the majority of movies based on video games have failed is because their filmmakers didn’t understand how to translate the appeal of the game to the relatively-limited storytelling ability of film. Players can often spend hundreds of hours in the world of a video game, and trying to condense that experience down into 90-120 minutes is close to an impossible task.
Minecraft, a sandbox adventure game which contains countless possibilities for its players, turns out to be the exact right type of game to turn into a movie, at least in the proper hands. A Minecraft Movie is completely and gloriously ridiculous from beginning to end, with the filmmakers — led by director Jared Hess — understanding that to make a movie about a game in which (almost) anything can happen, you have to match that energy.
And so they tell an uproarious story in which Steve (Jack Black) is a miner on Earth who discovers a portal to the Overworld (aka the world of Minecraft) where everything from animals to plants to food is made up of blocks. After getting trapped in the Nether, a dangerous, hell-like dimension, he sends his trusty dog back to Earth with the cube that opens the portal between Earth and the Overworld.
Through a hilarious series of events too detailed to properly explain here, the cube falls into the hands of ‘80s video game legend Garett Garrison (Jason Momoa). When Henry (Sebastian Hansen), a 14-year-old who’s just moved to town with his sister, Natalie (Emma Myers), discovers the cube at Garett’s store, the two of them - along with Natalie and local realtor Dawn (Danielle Brooks) - get pulled into the Overworld as well.
Usually when a film is written by a team of five writers, as is the case here, it’s a sign that the screenplay will be less than cohesive. While they didn’t manage to come up with a comprehensible story, they do fill the running time with as many gags as possible, a strategy that pays off handsomely. Taking the creative ethos of Minecraft and amplifying it immeasurably, the film features too many off-the-wall jokes to know where to begin.
The connections between the human characters are about as random as can be, and yet due to the nature of the “throw everything at the wall and see what sticks” approach, they develop a strong bond nonetheless. Steve and Garett are both pompous characters whose egos are the sources for much of their humor. Henry and Natalie bring the heart, while Dawn complements the group well despite not really fitting in with everyone else.
Of course, the whole point of making A Minecraft Movie is to pay tribute to the game, and they are able to throw plenty of bones to the gamers while still entertaining anyone who’s never played it. They incorporate the essentials of the game like building massive structures, crafting items, and interacting with creatures (aka mobs), but in such a fun and engaging way that it doesn’t really matter if a lot of it doesn’t make complete sense.
Black’s style of acting is one you either love or hate, and this might be the epitome of a Jack Black performance. He dials up virtually every line he delivers, a manic tour-de-force that sets the tone for everyone and everything else in the film. Momoa is also great, delving into comedy in a way he rarely has before and succeeding mightily. Hansen and Myers both work well, giving the film the youthful feel it required, and while Brooks is mostly along for the ride, she gets in a few good scenes of her own.
Could A Minecraft Movie now take the throne as the best adaptation of a video game ever? That’s purely subjective, but the way Hess and his team put the pedal to the metal from minute one and never let up, it certainly deserves to be part of the conversation. It’s a silly, fast-moving romp that works both as an homage to the game and as a stand-alone movie.