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Photo courtesy of Whataburger

With its love of greasy enchiladas, gluttonous fried steaks, and fat-speckled brisket, San Antonio isn’t exactly known as a healthy eating mecca. But it turns out that one locally beloved dish isn’t as unhealthy as one might think.

Inspired by February’s American Heart Month (albeit belatedly), Gambling.com decided to dig deep into which fast-food burger was best for the ticker and the body overall. What that has to do with online slots is anyone’s guess, but perhaps open-heart surgeries are not conducive to risk-taking.

Surprise, surprise, surprise! Local favorite/ food cult Whataburger took the top slot, earning honors with its standby cheeseburger. Assumably, the gambling site considered the mustard-slathered original, eschewing calorie bombs like bacon slices and creamy pepper sauce. Where’s the fun of Whataburger if you can’t get it just like you like it?

To arrive at the rankings, Gambling.com analyzed each burger for sugar, fat, salt, and calorie content per ounce. Each metric was given a one to ten score that factored into the final report card shared with content-hungry food journalists everywhere.

Coming in a close second was In-N-Out’s cheeseburger, a comforting fact for Texans who enjoy complaining about Californians. Rounding out the top five were Checker’s Checkerburger with Cheese, Culver’s ButterBurger Cheese, and Del Taco’s del Cheese Burger.

For those trying to make better eating choices, that list should give some pause. Yes, Whataburger beats out other fast-food faves, but it was competing against a chain that literally toasts all their buns in churned cream. Health is a relative concept.

Elsewhere on the list was another Texas darling, the No. 6 ranked Dairy Queen. Apparently, all that “hungr” is being busted by a hefty dose of sodium. Yes, we will take fries with that.

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Country icon Willie Nelson returns to traditional 'hillbilly' inspiration in new album

The Red Headed Stranger goes Blue

Almost as much as Willie Nelson is known for Austin, he's known for Nashville — and for subverting it. The 90-year-old singer has made an iconic, and extremely long career of conforming to and bucking against musical expectations, and now he's circled back around to tradition — without losing his own sound.

Nelson's new LP, Bluegrass, is his first album-length tribute to the traditional country genre. Yet, released on September 15, it's not even his first album of 2023. It follows I Don't Know A Thing About Love: The Songs of Harlan Howard, a tribute to the Nashville songwriter who gave folks "I Fall to Pieces."

Bluegrass, in a way, is Nelson's genre-bent tribute to his own work. The setlist gathers a dozen of the songwriter and his fans' "favorite" songs he wrote, according to a press release, re-rendered with a bluegrass ensemble.

The focus on orchestration highlights that this is a collaborative effort by the amiable, but largely solo performer. One song, "Good Hearted Woman," is the only track on the album not just written by Nelson, thanks to the similar creative genius of outlaw country great Waylon Jennings. Willie's son, Micah Nelson, created the cover art: an appropriately blue portrait of the singer with warm undertones and a wreath of familiar recreational leaves. The album was produced by Willie's longtime collaborator Buddy Cannon.

Willie Nelson BluegrassNelson's son created the cover art — in blue, of course.Image courtesy of Willie Nelson; created by Micah Nelson

Even if a listener doesn't recognize each song on the album, Nelson's voice is as unmistakeable as ever. Against a bluegrass arrangement, it floats undisturbed and unhurried. At times, it even sounds like Nelson and the band are performing in different meters, the band bustling along cheerfully while the singer lounges around the beat — but never on it.

In fact, listeners who avoid Bluegrass may find their tune changes when listening to these laid-back renditions. "Still Is Still Moving To Me" brings the more frenetic tempo and multi-part harmonies that the genre is known for at its most ferocious; but iconic songs like "Sad Songs and Waltzes" and "Yesterday's Wine" may not even strike listeners as bluegrass if they're not listening for it — just very string-heavy traditional country tunes.

"On the Road Again," "Man With the Blues," and album-opener "No Love Around" are perhaps the tracks that benefit the most from the Bluegrass treatment. All three seem a little more cheerful, a little more upbeat, and a little more reassuring than their original forms. There's nothing warmer than hearing the iconic "On the Road Again" melody on gut strings — except perhaps listening to the country legend offer his "advice" over that plucky, self-assured backcountry orchestra.

Most important, the arrangements rework rather than rewriting the songs. None of the renditions give off an air of hokeyness or trying to shake things up; These are just great country songs that sound even better with a banjo. It makes sense that the change in instrumentation wouldn't shift much, since according to the release, Nelson decided to record the tribute because the style informed so much of his natural songwriting style.

"Using his own catalog as source material, in the spirit of traditional bluegrass sourcing hillbilly folk music, Willie chose songs combining the kind of strong melodies, memorable storylines and tight ensemble-interplay found in traditional bluegrass interpretations of the roots (from European melodies to African rhythms) of American folk songs," acknowledges the release.

By Texas Monthly'scount (shared in the release), this is Nelson's 151st album. Avid collectors can look forward to a 12-inch special edition pressed in blue vinyl, available for purchase on September 29. Preorder ($29.98) at willienelson.com.

This year the songwriter was honored with a five-part documentary series, a blowout 90th birthday concert, the naming of a prestigious arts endowment by the University of Texas at Austin, and two Grammy Awards. His book, Energy Follows Thought: The Stories Behind My Songs, comes out October 23. He will be inducted into the Rock and Roll Hall of Fame days later, on November 3.

Listen to Bluegrass on your favorite streaming platform. More information is available at willienelson.com.

Cassandro wrestles with lucha libre and homophobia in real-life story

Movie Review

The LGBTQ community and the sports world have long had an uneasy relationship, especially in the United States. There are exceedingly few out male athletes around the world compared to the number of players total, and even though the world has progressed in significant ways, that statistic doesn’t seem likely to change anytime soon.

Although some don’t view professional wrestling as a sport, the culture around it is certainly testosterone-heavy, an idea that’s challenged in the new film, Cassandro. Saúl (Gael Garcia Bernal) lives in El Paso, but regularly crosses the border into Juarez, Mexico to participate in lucha libre matches. On the small side, he’s regularly cast as the runt, who never stands a chance at winning.

Openly gay, Saúl decides to change his wrestling persona to be an “exótico,” allowing him to express himself in a flamboyant manner. With the new wrestling name of Cassandro, Saúl starts to gain the notice of promoters and fans. At the same time, he wrestles with personal issues, including the strained life of his single mother, Yocasta (Perla De La Rosa) and an affair he’s having with a fellow luchador, Gerardo (Raúl Castillo).

Written and directed by Roger Ross Williams and co-written by David Teague, the film has a solidly-told story featuring a mixture of good performances, even if it feels like there’s something missing. The movie has all the hallmarks of an underdog story, and while it hits some of expected signposts along the way, it also strangely seems to hold back in certain aspects.

If you’re not already familiar with the lucha libre culture, the film doesn’t make it easy to get a handle on it. As in all pro wrestling, the matches aren’t “real,” but how and when the wrestlers decide how to perform and who will “win” feels confusing in the context of the film. It’s clear that the confidence Saúl shows as Cassandro makes him more appealing, but the intricacies of lucha libre could have been expounded on a bit more.

This becomes even more evident when fans are shown yelling gay slurs at him and other exóticos. There seems to be a contradictory performativeness to the antagonism, as those same fans soon start supporting him. Oddly, any other explicit homophobia is kept hidden, which - given the time period (the 1980s and ‘90s) and the machismo prevalent in Mexican culture - seems like the filmmakers made a conscious choice to not go down that road.

That and other decisions leave the film a bit flat emotionally. Saúl/Cassandro goes through a lot of upheaval in the film, and while the majority of it is engaging, there isn't a point where the story fully captures your heart. As with other areas, if the filmmakers had pushed just 10 percent harder, it would’ve turned the film from good to great.

Bernal turns in a fantastic performance, despite the fact that, even though he looks younger than he is, he’s a little old to be playing this particular character. Still, he has a charm and athleticism that makes him believable throughout. Good in supporting roles are Castillo (playing a similar role he did in The Inspection) and Roberta Colindrez as Saúl’s trainer. Keep an eye out for Bad Bunny in a small but interesting role.

There’s a lot to like about Cassandro, the story that’s being told, and the performances it contains. But by choosing not to explore certain parts of the story as much as they could have, the filmmakers left a lot of emotion out of it.

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Cassandro is now playing in select theaters. It debuts on Prime Video on September 22.

Gael Garcia Bernal in Cassandro

Photo courtesy of Prime Video

Gael Garcia Bernal in Cassandro.

Inventive Hill Country winery cracks open new tasting room in Fredericksburg

BOTTLE SERVICE

One of the most prominent names in Hill Country wines is uncorking a new tasting room in Fredericksburg. On September 22, Grape Creek Vineyard’s owners, Brian and Jennifer Heath, will cut the ribbon to their latest property, Invention Vineyards, at 4222 S. State Hwy. 16.

Heath Family Brands has used the name for some time, first as a vintage from the Grape Creek portfolio. A 2022 purchase of Slate Mill Wine Collective cleared the way for Invention to be born as its own estate label.

Under longtime winemaker Jason Eglert, Invention crafts mostly Texas blends. The line also includes several single-varietal wines, focusing on Old World grapes like Tempranillo, Mourvèdre, and Viognier.

The property echoes that approach. The tasting room is on the former 35-acre site of Pioneer Flour Mills founder Carl Hilmar Guenther’s original mill. The entrepreneur did business in Fredericksburg for eight years before volatile weather conditions prompted a move to San Antonio.

A handful of Guenther’s original stone buildings still stand near the entry to Invention, but new construction houses the brand’s tasting room and state-of-the-art production facility. Nodding to the original structures, the rustic-industrial facility utilizes weathered brick and a corrugated roof.

Though the business has been open during the build-out, the grand opening will be the first opportunity for guests to see the completed compound. Tours will be offered from 11 am to 5:30 pm, with light bites served throughout the day.