Movie Review

Jealousy, intrigue, and weirdness make Saltburn an eat-the-rich hoot

Writer/director Emerald Fennell made her feature film debut with the provocatively great 2020 film, Promising Young Woman, which saw its protagonist single-handedly – and, perhaps, foolishly – taking on male sexual predators. Her follow-up, Saltburn, has another protagonist with a one-track mind, this time a young man obsessing about joining upper crust English society.

Photo courtesy of Prime Video

Barry Keoghan in Saltburn.

Oliver Quick (Barry Keoghan) is a student at Oxford University who longs to be part of the popular crowd, especially the group led by Felix Catton (Jacob Elordi), who has everyone he meets fawning over him. Through a few chance meetings, Oliver does manage to endear himself to Felix, who invites him to spend the summer with him and his family at their estate called Saltburn.

There, Oliver is able to participate in the seemingly carefree revelry enjoyed by Felix and his family, including mother Elspeth (Rosamund Pike), father Sir James (Richard E. Grant), and sister Venetia (Allison Oliver). With hangers-on like fellow school friend Farleigh (Archie Madekwe) and Elspeth's friend Pamela (Carey Mulligan) along for the ride, Oliver discovers exactly how the filthy rich live, slowly but surely insinuating himself into each of their lives.

Films set on ornate British estates tend to be stuffy period pieces, so Fennell’s story is initially a breath of fresh air, telling a more modern version that’s full of life. Colors pop from every shot, especially the film’s many party scenes (and their aftermath). The sequences are the definition of excess, but deliciously so, as Fennell also fills them with hilarious dialogue that highlights the privilege of rich people who’ve never known a day of need in their whole life.

The strength of Oliver’s desire to join their ranks shifts constantly in the film, at first subtly and then in huge jumps. Fennell appears to have taken inspiration from The Talented Mr. Ripley, both in the haves vs. the have-nots aspect of the story, and in the fluctuating sexuality of Oliver. If it helps him get closer to his goal, Oliver has no trouble playing both sides of the fence, as it were, and in increasingly bizarre ways.

Just as she did in Promising Young Woman, Fennell makes certain storytelling choices that may not sit well with all viewers. The third act has more than a few of these, especially the culmination of the story, and while those decisions don’t always work, the fact that she went for them at all is deserving of some credit. Too many filmmakers try to play it safe, and it's much better to have someone try and fail than not try at all.

Keoghan has an innocent look to him that belies the intensity he can bring, which makes him ideal for a role like this. He’s up for whatever Fennell throws at him, which is quite a lot, and he succeeds even if the scenes don’t always work. Elordi plays a spoiled-but-empathetic rich kid well, and Grant, Pike, Oliver, and Madekwe give equally interesting performances. Mulligan has a short but funny role in which she plays against type.

While not as good as Promising Young Woman, Saltburn demonstrates that Fennell is still a filmmaker to watch. Her ideas are off-kilter enough to give her a distinctive voice, and she deserves to be given many more opportunities to bring her perspective to the big screen.

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Saltburn is now playing in theaters.

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Movie Review

Sonic the Hedgehog 3 plays to the interests of video game fans

Photo courtesy of Paramount Pictures

Sonic the Hedgehog (Ben Schwartz) in Sonic the Hedgehog 3

The first Sonic the Hedgehog movie in 2020 was one of the few video game adaptations that managed to appeal to both fans of the Sega game and those who just want to watch a fun movie. As the series moved into a second and now third film, though, it’s become increasingly reliant on giving the video game fans what they want, with not as much attention paid toward simply telling a good story.

In Sonic the Hedgehog 3, Sonic (voiced by Ben Schwartz) continues to live with human friends Tom (James Marsden) and Maddie (Tika Sumpter), as well as Tails (Colleen O’Shaughnessey) and Knuckles (Idris Elba), who stuck around after the events of the second film. Dispensing with any kind of narrative coherence, the trio is called away by an undefined military force to help with the escape of Shadow (Keanu Reeves), another alien hedgehog who has been locked away off the coast of Japan for many years.

Suffice it to say that the trio does not initially fare well against the powerful Shadow, forcing Sonic to do the unthinkable: Ask his nemesis, Dr. Ivo Robotnik (Jim Carrey), for help. What Sonic doesn’t anticipate is that Shadow has a history that left him with a grudge against most of human society, and he’s intent on using his powers — with a little help from his former mentor, Gerald Robotnik (also Carrey) — to exact his plans for revenge.

Made by the same team of director Jeff Fowler and writers Pat Casey, Josh Miller, and John Whittington from Sonic the Hedgehog 2, the film is a combination of manic action, jokey sequences, and a dash of heart. The addition of Shadow ups the mayhem considerably, and the filmmakers rarely slow things down (although, oddly, the super-speed of Sonic and company feels lessened this time around).

The initial casting of Carrey gave the comic actor permission to indulge in whatever wackiness he could imagine, and giving him two roles in this film means double the nonsense. Ivo and Gerald (who’s Ivo’s grandfather, for the record) face off in a number of silly scenes, none more absurd than a dance sequence aboard a space station threatening to explode Earth (yeah, this movie is a lot).

Does the plot make a lick of sense? Absolutely not, but the filmmakers seem to acknowledge that fact, throwing anything and everything at the screen to try to entertain kids and/or fans of the video game series. It should come as no surprise that the end credits tease yet more characters from the video games joining the franchise, making it abundantly clear who is expected to get the most enjoyment out of the series going forward.

In addition to Carrey, the voice actors continue to make the characters fun. Schwartz and O’Shaughnessey provide the cartoon-style acting, while Elba and now Reeves give a nice counterbalance with their deep and serious voices. Marsden and Sumpter aren’t given much to do this time around, and Krysten Ritter shows up as Director Rockwell, a character who’s mostly there to move what little plot there is further along.

A four-quadrant movie is one that appeals to all ages and genders; Sonic the Hedgehog 3 is a one or maybe two-quadrant movie at most. But it’s more fun than the other family-friendly offering this Christmas season, and fans of the video game will likely love the depiction of their favorite characters on screen, so it’s doing something right.

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Sonic the Hedgehog 3 is now playing in theaters.

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