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When it comes to offensive material in movies, the line keeps getting pushed further and further out. Gross-out gags, profanity for profanity’s sake, and ultra-violence are the norm in certain genres, but the majority of the time those elements only seem to be there to cover up storytelling or filmmaking deficiencies.
Not so in Deadpool, which manages to maintain its wit and charm despite being offensive as hell. Ryan Reynolds stars as the titular anti-superhero — real name: Wade Wilson — a mercenary who’s subjected to a torturous experiment that allows him to develop supernatural healing powers, at the expense of having his entire body look like melted cheese.
The film, helmed by first-time feature director Tim Miller, jumps back and forth in time. It trails Deadpool as he tries to hunt Ajax (Ed Skrein), who inflicted much of the pain on him, while also showing earlier, happier times with girlfriend Vanessa (Morena Baccarin). Bridging both worlds is a friendship with Weasel (T.J. Miller), the bartender at the bar full of rogues which Wade/Deadpool frequents.
What is a constant throughout, though, is a stream of never-ending jokes. It starts in the title sequence, which eschews actual names for insults for everybody from Miller to Reynolds, and Wade/Deadpool carries it on, as his sense of humor and mouth have no off buttons. Not all the jokes land, but the vast majority of them do, leaving the audience bludgeoned by an avalanche of comedy.
That theme transfers over to the film’s multiple violent scenes. What Miller and his team, which includes the writers of Zombieland, understand is how to keep the balance between being too inane and too serious. It could be that Deadpool cracks wise even while carrying out his dastardly deeds, or that the bloodshed is gratuitous without being off-putting. But somehow the filmmakers found a way to appeal to a broad audience without treating us like we’re idiots.
They also provide a ton of fan service, referencing both real and movie world events. Deadpool is related to the X-Men universe, with two characters — Colossus and Negasonic Teenage Warhead — making appearances here. Jokes made at the expense of Deadpool’s ill-fated appearance in a previous X-Men film and of Reynolds’ own checkered superhero past are among the funniest in the whole movie.
The biggest reason for the film’s success is the inherent charisma of Reynolds — his good looks don't even figure into the equation. He utilizes multiple funny approaches, including “breaking the fourth wall” (i.e., talking directly to the audience), making it next to impossible to be disgusted by anything he does, even when he does distasteful things. It was Reynolds’ passion for the project that led to its finally seeing the light of day, and he appears to be relishing every second of it.
After a month and a half of stinkers, Deadpool is finally the first movie of 2016 worth paying money to see in the theaters. It’s an equal-opportunity offender, and it’s completely awesome.
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Robert Pattinson and Zendaya will be seen together a lot at the movies in 2026, with mega-films like The Odyssey and Dune: Part Three coming out later in the year. But fans can get a much more intimate look at the two stars in a film that offers a unique take on relationship struggles, The Drama.
Emma (Zendaya) and Charlie (Pattinson) are a New York couple who are engaged to be married. After a quick-but-effective montage of their courtship, the story joins them as they are just days away from their wedding. As they get all the details like music, flowers, and food finalized, a visit to the caterer with married friends Rachel (Alana Haim) and Mike (Mamoudou Athie) proves fateful.
A few too many drinks leads to each member of the group deciding to divulge the worst thing they’ve ever done. While each story is slightly shocking, Emma’s takes the cake, so much so that Charlie starts to question their relationship. As they get closer to the wedding date, Charlie finds it increasingly difficult to get beyond Emma’s revelation, with each real or imagined conversation threatening to derail their previously tight bond.
Written and directed by Kristoffer Borgli, the film is provocative, funny, and cringey as it tries to get to the center of human dynamics. Charlie, Rachel, and Mike have starkly different reactions to Emma’s story, and the way those play out over the course of the film provides, well, the drama. The harder Charlie tries to justify Emma’s past, the more his underlying feelings start to eat at him, causing friction not just between him and Emma, but in other parts of his life, as well.
Strangely, especially for a character played by Zendaya, Emma recedes more than expected. Her explanations for her previous actions are timid at best, and she mostly seems to be waiting for Charlie to forgive her instead of questioning why she needs forgiveness. Borgli favors the male side of the equation, and in so doing he doesn’t dig as deep into the root of the issue as he could have.
Still, the downward spiral at the center of the story has a propulsive nature to it, and each successive step proves to be both hard to watch and impossible to turn away from. It also helps that Borgli manages the tone well, keeping interactions between characters relatively light so that the film doesn’t turn into one like Marriage Story.
Pattinson, who gets to use his own British accent for once, put on an interesting performance that is much better than his last two roles in Mickey 17 and Die My Love. He has good chemistry with Zendaya, who manages to shine despite being laden with a role that doesn’t play entirely to her strengths. Haim and Athie do good work in small roles, while Hailey Grace and Hannah Gross make an impact in brief appearances.
The situation in which Emma and Charlie find themselves in The Drama is not one to be wished on anyone, but it’s presented well by Borgli, keeping tensions high for the bulk of the film. Despite the two main characters not given completely equal footing, the story finds a way to get to a satisfactory ending.
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The Drama opens in theaters on April 3.