The San Antonio Symphony has abruptly canceled the remainder of its 2017-18 season.
Photo courtesy of Tobin Center for the Performing Arts
It appears that Sunday will go down as the day the music died for this season of the San Antonio Symphony. As reported by Texas Public Radio, contract negotiations between the symphony's management and musicians' union have ended, effectively canceling the remainder of the season.
The final performance will be held this weekend in celebration of the city's tricentennial celebration.
This is the latest in a series of sour notes for the symphony. This summer, the nonprofit Symphonic Music in San Antonio was formed to help alleviate financial issues plaguing the organization.
Over the past few months, the nonprofit has taken financial control over the symphony from the Symphony Society of San Antonio, which has overseen the organization since 1939.
In late December, the nonprofit SMSA issued a statement alluding to the Symphonic Society underfunding the musicians' pension fund by more than $4 million. The Symphonic Society board chair Alice Viroslav countered, telling the Rivard Report, the Symphonic Society "was and has been current on its payments to the pension on the musicians’ behalf.”
On December 27, the SMSA returned control to the Symphonic Society.
With the musicians' contracts expired as of December 31, the parties returned to the bargaining table on January 3. After a lengthy meeting, talks were abandoned and the decision was made to cancel the remainder of the season
The musicians took to Twitter to voice their reaction. "This is a shock to all of the musicians of the San Antonio Symphony," they tweeted. The group's final 2018 performance will be Saturday, January 6 at the Tobin Center for the Performing Arts.
For as closely tied together as Matt Damon and Ben Affleck are, it might come as a surprise how few times they’ve led a movie together. They’ve appeared alongside each other in Good Will Hunting, The Last Duel, and Air, but the only time they were on equal footing in a story was Kevin Smith’s Dogma. So the fact that they are the two true stars of the new Netflix movie The Rip makes it a rare opportunity for the longtime friends to square off against each other.
Damon and Affleck play Lt. Dane Dumars and Detective Sgt. J.D Byrne, respectively, the two highest ranking members of a Miami police department squad that specializes in drug and drug money raids. A tragedy to begin the film already has the team - which includes Detectives Mike Ro (Steven Yeun), Numa Baptiste (Teyana Taylor), and Lolo Salazar (Catalina Sandina Moreno) - on edge, with the FBI and DEA breathing down their neck.
Going off a tip, Dumars gathers the team to raid a house in nearby Hialeah that is supposed to have a stash of a relatively small amount of money. But when they get to the house occupied only by Desiree Molina (Sasha Calle), they soon discover that there’s close to $20 million there instead. The team, required by law to count the money on site, must not only fight the urge to skim a little off the top for themselves, but also worry about the Cartel and other agencies that might want a slice of the pie.
Written and directed by Joe Carnahan, the film is a surprisingly effective crime thriller made even better by its high-quality cast, which also includes Kyle Chandler as a DEA agent. The story is designed for the audience to not know who’s trustworthy until the last possible second, and the various twists and turns it takes are well done, with barely a hint of narrative cheating.
Taking place entirely at night, the mood is set right from the start, with the only surprise being that Carnahan didn’t add in rain for extra effect. He keeps things tense with a number of subtle elements, including having the house located in a seemingly deserted cul-de-sac. This allows for the characters to remain on high alert at all times, with anything out of the ordinary - an unexpected noise, a flashing light, etc. - adding to the stress of the situation.
The only element that could have used a bit more of a punch-up is the characterization. The story is set up to cast suspicion on almost everybody, making it tougher to understand exactly what type of person each of them is. As the two leads, more time is spent with Dumars and Byrne, leaving everyone else with slightly underwhelming arcs. It’s to the credit of the actors that everyone else below Damon and Affleck is still compelling.
Damon and Affleck play their sometimes friendly, sometimes adversarial roles well, showing an ease together that’s a result of their friendship and the acting skills they’ve honed over 30+ years. Taylor, an Oscar hopeful for One Battle After Another, and Oscar nominee/Emmy winner Yeun have a pedigree that elevates their supporting roles. Chandler, Moreno, and Calle each get just enough to demonstrate why they were cast in their respective roles.
Damon and Affleck have had their individual ups and downs throughout their careers, but when they choose to work together, the results are usually good-to-great, as they are in The Rip. It’s a different take on a crime thriller that features a story that will keep viewers guessing until the very end.
