Often creating finished prints or drawings that she then cuts up, reassembles, reorganizes and prints on top of, printmaker Elvia Perrin develops her works through a dialogue between an idea and making and a process of editing, overlapping, stacking, and layering of ink and images. The resulting finished works are a convergence of order and reordering and the revealing and veiling of organized systems through Perrin’s personal habits that portray an ultimate order and a quiet minimalist approach.
Following the opening reception, the exhibit will be on display through July 16.
Often creating finished prints or drawings that she then cuts up, reassembles, reorganizes and prints on top of, printmaker Elvia Perrin develops her works through a dialogue between an idea and making and a process of editing, overlapping, stacking, and layering of ink and images. The resulting finished works are a convergence of order and reordering and the revealing and veiling of organized systems through Perrin’s personal habits that portray an ultimate order and a quiet minimalist approach.
Following the opening reception, the exhibit will be on display through July 16.
Often creating finished prints or drawings that she then cuts up, reassembles, reorganizes and prints on top of, printmaker Elvia Perrin develops her works through a dialogue between an idea and making and a process of editing, overlapping, stacking, and layering of ink and images. The resulting finished works are a convergence of order and reordering and the revealing and veiling of organized systems through Perrin’s personal habits that portray an ultimate order and a quiet minimalist approach.
Following the opening reception, the exhibit will be on display through July 16.