The San Antonio Museum of Art will present the first retrospective exhibition of the influential Chicana artist and cultural critic Amalia Mesa-Bains, who pioneered the genre of altar-installation. Presenting work from the entirety of her career for the first time, Amalia Mesa-Bains: "Archaeology of Memory" features over 40 works in a wide range of media and celebrates Mesa-Bains’ important contributions to the field of contemporary art.
For over 45 years, Mesa-Bains has innovated sacred forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shrines) to recover cultural memory and position Chicana art into the broader field of contemporary American art.
Her major series of four multimedia installations, titled Venus Envy, spans varied cultures and historical periods to celebrate and reframe the narratives of heroic, archetypal, mythic, and ancestral women including Cihuateotl (“Divine Woman” in Mixtec (Aztec) tradition), the Virgin of Guadalupe, and the artist’s grandmother, Mariana Escobedo Mesa. Armoires, libraries, laboratories, gardens, and landscapes become sites for Mesa-Bains to examine the construction of spaces and the cultural memories embedded in them, exploring themes such as life, death, family, migration, womanhood, healing, and resiliency.
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Photo info: Amalia Mesa-Bains: Private Landscapes and Public Territories, 1998-2011/2018; mixed media installation including painted and mirrored armoire, found objects, moss, dried flowers, faux topiaries, family photographs, miniature jeweled trees, painted wooden hedges; 120 x 240 x 300 in.; courtesy of the artist and Rena Bransten Gallery, San Francisco.
The San Antonio Museum of Art will present the first retrospective exhibition of the influential Chicana artist and cultural critic Amalia Mesa-Bains, who pioneered the genre of altar-installation. Presenting work from the entirety of her career for the first time, Amalia Mesa-Bains: "Archaeology of Memory" features over 40 works in a wide range of media and celebrates Mesa-Bains’ important contributions to the field of contemporary art.
For over 45 years, Mesa-Bains has innovated sacred forms such as altares (home altars), ofrendas (offerings to the dead), descansos (roadside resting places), and capillas (home yard shrines) to recover cultural memory and position Chicana art into the broader field of contemporary American art.
Her major series of four multimedia installations, titled Venus Envy, spans varied cultures and historical periods to celebrate and reframe the narratives of heroic, archetypal, mythic, and ancestral women including Cihuateotl (“Divine Woman” in Mixtec (Aztec) tradition), the Virgin of Guadalupe, and the artist’s grandmother, Mariana Escobedo Mesa. Armoires, libraries, laboratories, gardens, and landscapes become sites for Mesa-Bains to examine the construction of spaces and the cultural memories embedded in them, exploring themes such as life, death, family, migration, womanhood, healing, and resiliency.
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Photo info: Amalia Mesa-Bains: Private Landscapes and Public Territories, 1998-2011/2018; mixed media installation including painted and mirrored armoire, found objects, moss, dried flowers, faux topiaries, family photographs, miniature jeweled trees, painted wooden hedges; 120 x 240 x 300 in.; courtesy of the artist and Rena Bransten Gallery, San Francisco.
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TICKET INFO
Free-$22