It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses' most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. It's a journey that leads these four women through healing and transformation.
It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses' most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. It's a journey that leads these four women through healing and transformation.
It’s September 16, 1963. The day after the bombing of the 16th Street Baptist Church in Birmingham, Alabama. This play with music uses the framework of one of the Civil Rights Era’s leading songstresses' most blistering songs to give voice to a group of women suffering self-hatred due to the different hues of their skin. It's a journey that leads these four women through healing and transformation.