
"Mosh Now, Cry Later" is an exploration of alternative and independent rock genres - from punk and post-punk to new wave, emo, screamo, hardcore punk, goth, and more - and their effect on San Antonio’s visual culture.
In the exhibition, 14 San Antonio-connected artists work with an array of media to create artworks that echo these musical subgenres, either through their emotional undercurrents or aesthetic approaches. Emerging from a rebellious response to mainstream music and practice, these subgenres embrace an ethos of DIY principles that challenge conventional methods of music-making.
Similarly, the featured artists operate within counterculture, deviating from mainstream practices in subject or material. This exhibition also examines how San Antonio’s Latinx youth are especially connected to these subcultures, drawing parallels between DIY aesthetics and rasquache, counterculture and machismo, and vocal techniques like screaming and the grito - a traditional emotional outcry in Mexican culture.
Central to this exhibition is the community archive and listening room or Mosh Pit, an interactive installation of photographs, ephemera, records, tapes, and more lining the walls. The Mosh Pit will highlight musicians from major and indie labels, local bands, and mixtapes and playlists contributed by the exhibiting artists. The inclusion of this installation serves to emphasize the dialogue and intersection of disciplines in San Antonio’s artistic community.
The exhibition will remain on display through June 8.
"Mosh Now, Cry Later" is an exploration of alternative and independent rock genres - from punk and post-punk to new wave, emo, screamo, hardcore punk, goth, and more - and their effect on San Antonio’s visual culture.
In the exhibition, 14 San Antonio-connected artists work with an array of media to create artworks that echo these musical subgenres, either through their emotional undercurrents or aesthetic approaches. Emerging from a rebellious response to mainstream music and practice, these subgenres embrace an ethos of DIY principles that challenge conventional methods of music-making.
Similarly, the featured artists operate within counterculture, deviating from mainstream practices in subject or material. This exhibition also examines how San Antonio’s Latinx youth are especially connected to these subcultures, drawing parallels between DIY aesthetics and rasquache, counterculture and machismo, and vocal techniques like screaming and the grito - a traditional emotional outcry in Mexican culture.
Central to this exhibition is the community archive and listening room or Mosh Pit, an interactive installation of photographs, ephemera, records, tapes, and more lining the walls. The Mosh Pit will highlight musicians from major and indie labels, local bands, and mixtapes and playlists contributed by the exhibiting artists. The inclusion of this installation serves to emphasize the dialogue and intersection of disciplines in San Antonio’s artistic community.
The exhibition will remain on display through June 8.
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Admission is free.