McNay Art Museum will present Chuck Ramirez: "All This And Heaven Too." Ramirez’s large-scale photographs of everyday objects offer a humorous yet poignant perspective on our culture of consumption and waste, and the reality of fleeting life and mortality. Ramirez was inspired by opposing themes - life/death and humor/despair - and incorporates hints of his work as a graphic designer at Texas supermarket giant HEB.
Ramirez’ art explores personal narrative including his San Antonio upbringing, Mexican-American heritage, and HIV status, making the project relevant to Texas and the broader arena of contemporary art and photography. Ramirez’ photographs were created as several themed series explored over the course of his career.
For example, Santos presents images of the bottoms of religious sculptures most often used for private devotion. This dichotomy of celebration and irreverence appears throughout the work. Other series, such as Trash Bag, Quarantine, and Seven Days, make the perishable permanent, whether in objects, moments, or memories. In others, Ramirez replaces an object for a person, where photography of a purse or piñata becomes a portrait. Through his work, the deeply personal becomes clinically sterile, and vice versa, yet all works explore the human experience.
The exhibition includes photographs from approximately 20 series and recreates the artist’s early exhibition installations, reimagining his youthful efforts. Photographs are selected from museum collections, private collections, and the Estate of Chuck Ramirez.
McNay Art Museum will present Chuck Ramirez: "All This And Heaven Too." Ramirez’s large-scale photographs of everyday objects offer a humorous yet poignant perspective on our culture of consumption and waste, and the reality of fleeting life and mortality. Ramirez was inspired by opposing themes - life/death and humor/despair - and incorporates hints of his work as a graphic designer at Texas supermarket giant HEB.
Ramirez’ art explores personal narrative including his San Antonio upbringing, Mexican-American heritage, and HIV status, making the project relevant to Texas and the broader arena of contemporary art and photography. Ramirez’ photographs were created as several themed series explored over the course of his career.
For example, Santos presents images of the bottoms of religious sculptures most often used for private devotion. This dichotomy of celebration and irreverence appears throughout the work. Other series, such as Trash Bag, Quarantine, and Seven Days, make the perishable permanent, whether in objects, moments, or memories. In others, Ramirez replaces an object for a person, where photography of a purse or piñata becomes a portrait. Through his work, the deeply personal becomes clinically sterile, and vice versa, yet all works explore the human experience.
The exhibition includes photographs from approximately 20 series and recreates the artist’s early exhibition installations, reimagining his youthful efforts. Photographs are selected from museum collections, private collections, and the Estate of Chuck Ramirez.
McNay Art Museum will present Chuck Ramirez: "All This And Heaven Too." Ramirez’s large-scale photographs of everyday objects offer a humorous yet poignant perspective on our culture of consumption and waste, and the reality of fleeting life and mortality. Ramirez was inspired by opposing themes - life/death and humor/despair - and incorporates hints of his work as a graphic designer at Texas supermarket giant HEB.
Ramirez’ art explores personal narrative including his San Antonio upbringing, Mexican-American heritage, and HIV status, making the project relevant to Texas and the broader arena of contemporary art and photography. Ramirez’ photographs were created as several themed series explored over the course of his career.
For example, Santos presents images of the bottoms of religious sculptures most often used for private devotion. This dichotomy of celebration and irreverence appears throughout the work. Other series, such as Trash Bag, Quarantine, and Seven Days, make the perishable permanent, whether in objects, moments, or memories. In others, Ramirez replaces an object for a person, where photography of a purse or piñata becomes a portrait. Through his work, the deeply personal becomes clinically sterile, and vice versa, yet all works explore the human experience.
The exhibition includes photographs from approximately 20 series and recreates the artist’s early exhibition installations, reimagining his youthful efforts. Photographs are selected from museum collections, private collections, and the Estate of Chuck Ramirez.
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