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Photo courtesy of Pilobolus

Pilobolus’s new Re: Creation Tour reminds viewrs that play and creativity are fundamental to the human experience and that stories are alive and breathing and can teach, comfort, and connect us to ourselves and each other. Alongside groundbreaking new pieces, the company breathes new life into beloved works from the past to create an experience both timely and timeless.

Re: Creation featuring collaborations with Darlene Kascak of the Schaghticoke Tribal Nation, Jad Abumrad (composer and founder of Radiolab, Dolly Parton’s America), choreographer Madison Olandt, and former Pilobolus dancers Derion Loman and Gaspard Louis. Pilobolus has an aptitude for combining wit, sensuality, and physical acumen.

Photo by Dario Calmese

Tobin Center Dance Series: Alvin Ailey American Dance Theater

When Alvin Ailey and a small group of African American dancers took the stage on March 30, 1958 at New York City’s 92nd Street Y, the engagement was for one night only, but it turned out to be the start of a new era in the arts.

Sixty years later, Alvin Ailey American Dance Theater continues its reign as an American “cultural ambassador to the world” - having performed live for an estimated 25 million people in 48 states, 71 countries, and six continents.

The gifted and gorgeous Ailey dancers infuse energy and emotion to classics and new works alike. Guided by the visionary artistic director Robert Battle, Alvin Ailey American Dance Theater remains the nation’s leading modern dance company.

Photo courtesy of Les Ballets Trockadero de Monte Carlo

Tobin Center Dance Series: Les Ballets Trockadero de Monte Carlo

Les Ballets Trockadero de Monte Carlo, the world’s foremost all-male comic ballet company, famed for performing en travesti and on pointe, is back with another sensational program spoofing some favorite works. The company’s 50th anniversary season showcases the virtuosity of these dancers, who amaze even as they send the audience into stitches by exaggerating the foibles, accidents, and underlying incongruities of serious dance.

Photo courtesy of Ballet San Antonio

Ballet San Antonio presents Beauty & the Beast

Beauty & the Beast is a timeless tale about the transformative power of love, played out against the backdrop of an enchanted forest full of magical creatures. With gorgeous costumes, magnificent choreography, and sets that come alive, the captivating productionis sure to delight both the young and the young at heart.

Photo courtesy of Derek Hough

Derek Hough: A Symphony of Dance

From the mind of Derek Hough, Symphony of Dance features all new high-energy choreography, stunning stage production, astounding versatility and, as always, Hough’s magnetic stage presence. Fans will journey through a true fusion of dance and music, as Derek explores styles ranging from ballroom and tap to salsa and hip-hop and everything in between.

Photo courtesy of Rebel Athletic

House of Cheer: The Level Up Tour

House of Cheer, the first and only professional touring cheer company, will present its inaugural, cross-country U.S. tour. Top athletes from the award-winning docuseries Cheer, members of Team USA Cheerleading, and more will kick off an all-new spectacular live show.

House of Cheer, created by Faculty Inc and Monica Aldama, is bringing together the biggest stars from the most successful cheer programs in the country. House of Cheer features cheer superstars Morgan Simianer, Maddy Brum, James Thomas, Kory Little, Angel Rice, Cassadee Dunlap, Harrison Milford, Gillian Rupert, Dustin Velazquez, Brett Kessler, Brock Donald, Tatiyanah Davis, and Ryan Claunch, plus more to be announced performing in a brand-new, one-of-a-kind extravaganza.

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Sweet Los Angeles salad chain plants first San Antonio store

LETTUCE CELEBRATE

One of America's buzziest fast-casual brands has found its way to San Antonio. Sweetgreen, a Los Angeles-based chain known for locally sourced bowls and a contemporary brand identity, debuts at Quarry Village on June 6.

Founded in Washington, D.C., in 2006, the chain has become one of the U.S.'s fastest-growing concepts by reimagining fast food. Its menu focuses on gourmet grain bowls and salads augmented with healthier drinks and desserts.

Highlights include a spring asparagus salad overflowing with green vegetables and za'atar breadcrumbs, the warm Shroomami bowl with roasted sesame tofu and portobello, and a protein-packed green goddess salad with black lentils and chickpeas.

With a goal of becoming carbon neutral by 2027, Sweetgreen commits itself to sustainable construction, a plant-heavy menu, and local sourcing when possible. The San Antonio newcomer works with local farms when possible, like Rio Fresh Farm, Fredericksburg Peach Co., Kitchen Pride, Village Farms, Bowers Shrimp Farm, and Banyan Foods.

That community commitment extends to working with locally serving nonprofits. For every meal sold on opening day, the restaurant will donate a meal to Brighter Bites, a national organization delivering fresh produce to underserved elementary school families.

Sweetgreen will also be bringing some opening day fun. The first 50 guests will receive a mystery box from Austin-based brand Kendra Scott, and the first 100 guests will receive a free print from local artist Maya Sokovic. Diners will also enjoy gelato and coffee from Paciugo and a live set from San Antonio deejay Alyson Alonzo.

San Antonio is a city with so much history, with a vibrant food and dining scene to match, and we couldn't be more excited to be joining the community," said Sweetgreen cofounder and CEO Jonathan Neman via a release. "We look forward to continuing our commitment of connecting residents in Texas to real, healthy, convenient food."

Once opened at 340 East Basse Rd. #101, Sweetgreen will have daily hours of 10:30 am- 9 pm.

Sweetgreen San Antonio

Photo courtesy of Sweetgreen.

Sweetgreen greets visitos with a fresh, clean aesthetic.

Controversial comedian Dave Chappelle plots out 4 Texas arena shows, including San Antonio

Chappelle's Show(s)

Comedian/actor Dave Chappelle will soon bring his "Dave Chappelle Live" stand-up comedy show to arenas in four cities in Texas, including the AT&T Center in San Antonio on July 12

Other dates include the American Airlines Center in Dallas on June 29, the Toyota Center in Houston on July 1, and the Moody Center in Austin on July 14.

Chappelle is a complicated figure who's been celebrated for his trailblazing comedy and vilified for his controversial stances. Chappelle's Show, which ran from 2003 to 2006 on Comedy Central, was widely praised, and Chappelle remained extremely popular despite the abrupt end of the show and him choosing to recede from the spotlight in the following decade.

His re-emergence in the late 2010s brought success in the form of three straight Grammy wins for Best Comedy Album, but also continued jokes aimed at transgender people. He has been the subject of multiple protests over that material, and has even had a show canceled by a venue in Minneapolis after receiving criticism for hosting him.

As if to underscore the contentious nature of his comedy, no cellphones, cameras, or recording devices will be allowed at any of the four shows. All phones and smart watches will be secured in special pouches that can be unlocked at the end of the show. Anyone caught with a cellphone in the venue will be immediately ejected.

Tickets for the four shows will go on sale at 5 pm on June 5 at ticketmaster.com.

Endless creativity of Spider-Man: Across the Spider-Verse keeps superhero story in overdrive

Movie Review

The blast of pure fun that was 2018’s Spider-Man: Into the Spider-Verse accomplished several goals, but none more important than reclaiming the character from being part of just the Marvel Cinematic Universe. By not participating in the never-ending connecting stories of the MCU, the filmmakers could do whatever they wanted, first and foremost using Miles Morales (Shameik Moore) instead of Peter Parker as its main character.

It was also at the forefront of multiversal storytelling that has become the rage in the MCU and elsewhere. Given the multitude of Spider characters that have existed in the comics over the years, it was uniquely suited to telling a story with people from multiple universes. That concept is taken to the nth degree with Spider-Man: Across the Spider-Verse, a film that has seemingly limitless levels of creativity.

Miles, having separated from Gwen Stacy (Hailee Steinfeld), Peter B. Parker (Jake Johnson), and other Spider-people at the end of the first film, is doing well as the friendly neighborhood Spider-Man, casually protecting people from threats big and small. But when a highly unusual villain named The Spot (Jason Schwartzman) proves especially tricky, a series of events has Miles follow Gwen into a portal where he encounters every other Spider character in existence.

Lest you think that’s hyperbole, among the people he meets are Jessica Drew/Spider-Woman (Issa Rae), Miguel O’Hara/Spider-Man 2099 (Oscar Isaac), Hobie Brown/Spider-Punk (Daniel Kaluuya), Ben Reilly/Scarlet Spider (Andy Samberg), and Spider-Man India (Karan Soni), and that’s just the tip of the iceberg. Revelations made while meeting all of them lead Miles to a whole new understanding of himself and the multiverse in general, with far-reaching consequences.

The filmmakers, once again led by writers/producers Phil Lord and Christopher Miller, fill the screen with so many visual elements that at times it can be overwhelming, but in the best possible way. Unlike most animated films, there are multiple different styles employed throughout, and never knowing what to expect gives the film a kineticism that borders on manic, although it always stops short of being incomprehensible.

The storytelling is much more complex this time around, no surprise since it involves so many more characters. But the personal stories of each of the Spider characters, especially Miles and Gwen, maintain a grounded nature that keeps the plot anchored even while delving into increasingly fantastical territory.

Although this film deals with some darker themes, there is still plenty of humor to be had. The intersection of so many Spider characters highlights their differences, and the way they interact can’t help but be entertaining. Miles is still a 15-year-old kid, and the way he navigates the world(s) has a lightness to it that is a sharp contrast to the various adults in his life.

Moore, who’s not as well-known as some of his co-stars, has proven to be the perfect voice for Miles, making him relatable and powerful at the same time. Everyone else gives similarly great performances, although the fact that many of them are famous for their non-voicework doesn’t really play a factor in how well they come across here.

A third film, Beyond the Spider-Verse, is teased with a cliffhanger, and unlike other franchises where multiple films are unnecessary, there are no such reservations here. Spider-Man: Across the Spider-Verse equals the success of the first film, and there is no doubt that the filmmakers will bring the same level of attention to detail to the end of the trilogy.

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Spider-Man: Across the Spider-Verse is now running in theaters.

Miles Morales (Shameik Moore) in Spider-Man: Across the Spider-Verse

Photo courtesy of Sony Pictures Animation

Miles Morales (Shameik Moore) in Spider-Man: Across the Spider-Verse.