The blast of pure fun that was 2018’s Spider-Man: Into the Spider-Verse accomplished several goals, but none more important than reclaiming the character from being part of just the Marvel Cinematic Universe. By not participating in the never-ending connecting stories of the MCU, the filmmakers could do whatever they wanted, first and foremost using Miles Morales (Shameik Moore) instead of Peter Parker as its main character.
It was also at the forefront of multiversal storytelling that has become the rage in the MCU and elsewhere. Given the multitude of Spider characters that have existed in the comics over the years, it was uniquely suited to telling a story with people from multiple universes. That concept is taken to the nth degree with Spider-Man: Across the Spider-Verse, a film that has seemingly limitless levels of creativity.
Miles, having separated from Gwen Stacy (Hailee Steinfeld), Peter B. Parker (Jake Johnson), and other Spider-people at the end of the first film, is doing well as the friendly neighborhood Spider-Man, casually protecting people from threats big and small. But when a highly unusual villain named The Spot (Jason Schwartzman) proves especially tricky, a series of events has Miles follow Gwen into a portal where he encounters every other Spider character in existence.
Lest you think that’s hyperbole, among the people he meets are Jessica Drew/Spider-Woman (Issa Rae), Miguel O’Hara/Spider-Man 2099 (Oscar Isaac), Hobie Brown/Spider-Punk (Daniel Kaluuya), Ben Reilly/Scarlet Spider (Andy Samberg), and Spider-Man India (Karan Soni), and that’s just the tip of the iceberg. Revelations made while meeting all of them lead Miles to a whole new understanding of himself and the multiverse in general, with far-reaching consequences.
The filmmakers, once again led by writers/producers Phil Lord and Christopher Miller, fill the screen with so many visual elements that at times it can be overwhelming, but in the best possible way. Unlike most animated films, there are multiple different styles employed throughout, and never knowing what to expect gives the film a kineticism that borders on manic, although it always stops short of being incomprehensible.
The storytelling is much more complex this time around, no surprise since it involves so many more characters. But the personal stories of each of the Spider characters, especially Miles and Gwen, maintain a grounded nature that keeps the plot anchored even while delving into increasingly fantastical territory.
Although this film deals with some darker themes, there is still plenty of humor to be had. The intersection of so many Spider characters highlights their differences, and the way they interact can’t help but be entertaining. Miles is still a 15-year-old kid, and the way he navigates the world(s) has a lightness to it that is a sharp contrast to the various adults in his life.
Moore, who’s not as well-known as some of his co-stars, has proven to be the perfect voice for Miles, making him relatable and powerful at the same time. Everyone else gives similarly great performances, although the fact that many of them are famous for their non-voicework doesn’t really play a factor in how well they come across here.
A third film, Beyond the Spider-Verse, is teased with a cliffhanger, and unlike other franchises where multiple films are unnecessary, there are no such reservations here. Spider-Man: Across the Spider-Verse equals the success of the first film, and there is no doubt that the filmmakers will bring the same level of attention to detail to the end of the trilogy.
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Spider-Man: Across the Spider-Verse is now running in theaters.
