Texas' 2023 bluebonnet season is early, here's where you can find them in San Antonio

Signs of spring

Photo by Matthew Lancaster on Unsplash

After an unseasonably warm winter and the 7th warmest January on record globally, Texans are no doubt wondering what the 2023 spring bluebonnet and wildflower season will look like.

Though they typically bloom in late March and early April, some areas of Texas are already noticing pockets of the flowers earlier than expected.

Andrea DeLong-Amaya, director of horticulture at the Lady Bird Johnson Wildflower Center, says it’s typical to see the first patches of flowers along highways due to the heat. Cooler areas on the outskirts of town will start to see their blooms later.

“The warm, sunny weather is what triggers how soon they bloom,” she explained. “Last year, for example, it was a little unusually cold [in Austin], so they came out a lot later than they are this year.”

San Antonio, Austin and Houston are currently experiencing the peak season for blooms. Farther north in Dallas-Fort Worth, they might have just started seeing their blooms a week prior.

“It’s like a gradient from south to north,” DeLong-Amaya says. “It’s warmer generally as you go south, so they bloom a little bit earlier.”

Out in the West Texas-Big Bend area, there’s an entirely different species of bluebonnet that blooms earlier in February and March, which isn’t necessarily dependent on the heat.

One of the biggest factors that impacts the bluebonnet season is drought. But DeLong-Amaya says there was plenty of rain when seedlings started to germinate, which was especially fortunate for Central Texas areas like Austin.

“In some years where we’ve had a very dry winter; that definitely impacts the show in spring and would reduce how many plants we would have to see and possibly how big they get.”

Though many were worried about the bluebonnets getting burned by the February 2021 freeze, the flowers escaped mostly unscathed. They were mostly in a rosette form that hugged the ground while the snowfall acted as an “insulated blanket.” DeLong-Amaya says she’s never seen a freeze kill a bluebonnet, though taller plants above the snow might occasionally see some damage.

Texans wanting to get the most out of the peak bluebonnet season should visit state and national parks toward the end of March. Delong-Amaya encourages Central Texans to visit the Wildflower Center over the next few weeks if they would like to take photos with their patch of bluebonnets. The center treats for fire ants to allow visitors to have a safe experience.

While you’re getting the perfect photo in that big patch of flowers, DeLong-Amaya does encourage fellow bluebonnet-lovers to be respectful and not trample them.

“All of the plants that get trampled are then not going to survive to set seed and replenish the next year,” she warns. “It also puts plants out of commission for bees that are pollinators.”

If you’re worried if you might be breaking a law by picking a few bluebonnets, don’t be. There are no special laws that prevent you picking the state flower. Just don't pick or destroy any plants on state or national park grounds since they have their own laws against it. Now get ready to enjoy one of Texas’ most beautiful spring features.

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10 San Antonio chefs go head-to-head in gourmet Burger Showdown

Burger Beasts

San Antonians can argue with friends all day about who has the best burger in town, but nothing lands quite like a head-to-head live victory.

This October, 10 San Antonio chefs are battling for those bragging rights at the Burger Showdown 4.0 — the numeral representing the competition's fourth year running. Hosted by cooking video series Homegrown Chef and Alamo Beer, the event will set all the chefs up under the Hays Street Bridge to serve up their best creations, so San Antonians can make the final call.

If eating 10 sliders seems excessive, think of it as a public service. Not only are visitors selecting the best burger (basically citizen science), but funds raised will benefit the San Antonio Food Bank.

This is the first year that the competition will be judged by a panel alongside the usual fan voters. There will be three judges: Great Day SA reporter Clark Finney; Edible San Antonio co-publisher Ralph Yznaga; and San Antonio Food Bank's director of food sustainability Mitch Hagney.

"The Burger Showdown is always such a great community event and a really fun way to celebrate our incredible chefs while getting out and trying something new and absolutely delicious," said Homegrown Chef founder and local food writer Kimberly Suta, who helped organize the event, in a release. "I like to challenge people to eat all the burgers because it's never been done!"

Chefs plan to bring the following burgers:

Chef Joseph Thadeus Martinez of Tributary (last year's 1st place winner) — "The French Onion Burger," featuring a Dean and Peeler smash patty, black pearl onion aioli, gruyere fonduta, and crispy shallots on a sourdough potato slider bun.
Chef James Richard Smith of toohotfortabc (last year's 2nd place winner) — "The Blue Mountain Smash Burger," featuring "sweet heat," bacon jam, and veggies on a Far West Texas Cattle Co. smashed beef patty with melted American cheese on a sourdough bun.
Chef Diana Anderson of JD's Chili Parlor (last year's 3rd place winner) — "The Italian Job," featuring tomato-basil pasta sauce, white wine and garlic-marinated beef, buffalo mozzarella, zucchini, red onion, and romaine hearts skewered with fried mushrooms and cherry tomatoes.
Chef Justin Bluhm of STXBBQ — "The Oktoberfest Burger," inspired by beer, meat, cheese and pretzels. It features a beef patty with sliced brisket, house-pickled onions, and smoked beer queso on a soft pretzel bun.
Chef Joshua Calderon of Catering by JC — "The Backyard Barbecue Burger," featuring a beef patty, cheddar cheese, onion, cucumber, and iceberg lettuce on a potato roll.
Chef Stephen Chavez of FredericksBurgers — "The Bacon Huebner Burger," featuring bacon, mushrooms, and Swiss cheese on a beef patty.
Chef Francisco Estrada of Naco — "The Aztec God Burger," featuring black garlic-seasoned beef, epazote aioli, caramelized onions, and huitlacoche.
Chef Greg Ferris of Bobbie’s Cafe — "The Texas Tailgate Burger," featuring a beef patty, American cheese, barbecue chips, and a mysterious "'go big or go home' twist."
Chef Kaius of The Kaius Experience — "The Texan Black Gold Burger" featuring a beef patty seasoned with Texan spices, topped with aged cheddar cheese, black garlic aioli, roasted jalapeño bacon, and crispy truffle sweet potato sticks, served on a brioche bun.
Chef Braunda Smith of Lucy Cooper’s Ice House — The release says, "This Food Network star is known for her burgers and will tell you she can make a burger out of absolutely anything, which is why she wants to surprise you!"

All burgers except those made by last year's first and second-place winners will be made pasture-raised Akaushi beef from local rancher 529meats. Ben E. Keith & Food Related will provide some toppings.

Tickets ($55) to the Burger Showdown 4.0 are available via Eventbrite. Only 25 VIP tickets ($75) will be sold; these guests will be welcomed 30 minutes early and will receive one drink ticket. Email homegrownchefsa@gmail.com, or text or call (210) 725-2339 to order.

Country icon Willie Nelson returns to traditional 'hillbilly' inspiration in new album

The Red Headed Stranger goes Blue

Almost as much as Willie Nelson is known for Austin, he's known for Nashville — and for subverting it. The 90-year-old singer has made an iconic, and extremely long career of conforming to and bucking against musical expectations, and now he's circled back around to tradition — without losing his own sound.

Nelson's new LP, Bluegrass, is his first album-length tribute to the traditional country genre. Yet, released on September 15, it's not even his first album of 2023. It follows I Don't Know A Thing About Love: The Songs of Harlan Howard, a tribute to the Nashville songwriter who gave folks "I Fall to Pieces."

Bluegrass, in a way, is Nelson's genre-bent tribute to his own work. The setlist gathers a dozen of the songwriter and his fans' "favorite" songs he wrote, according to a press release, re-rendered with a bluegrass ensemble.

The focus on orchestration highlights that this is a collaborative effort by the amiable, but largely solo performer. One song, "Good Hearted Woman," is the only track on the album not just written by Nelson, thanks to the similar creative genius of outlaw country great Waylon Jennings. Willie's son, Micah Nelson, created the cover art: an appropriately blue portrait of the singer with warm undertones and a wreath of familiar recreational leaves. The album was produced by Willie's longtime collaborator Buddy Cannon.

Willie Nelson Bluegrass Nelson's son created the cover art — in blue, of course.Image courtesy of Willie Nelson; created by Micah Nelson

Even if a listener doesn't recognize each song on the album, Nelson's voice is as unmistakeable as ever. Against a bluegrass arrangement, it floats undisturbed and unhurried. At times, it even sounds like Nelson and the band are performing in different meters, the band bustling along cheerfully while the singer lounges around the beat — but never on it.

In fact, listeners who avoid Bluegrass may find their tune changes when listening to these laid-back renditions. "Still Is Still Moving To Me" brings the more frenetic tempo and multi-part harmonies that the genre is known for at its most ferocious; but iconic songs like "Sad Songs and Waltzes" and "Yesterday's Wine" may not even strike listeners as bluegrass if they're not listening for it — just very string-heavy traditional country tunes.

"On the Road Again," "Man With the Blues," and album-opener "No Love Around" are perhaps the tracks that benefit the most from the Bluegrass treatment. All three seem a little more cheerful, a little more upbeat, and a little more reassuring than their original forms. There's nothing warmer than hearing the iconic "On the Road Again" melody on gut strings — except perhaps listening to the country legend offer his "advice" over that plucky, self-assured backcountry orchestra.

Most important, the arrangements rework rather than rewriting the songs. None of the renditions give off an air of hokeyness or trying to shake things up; These are just great country songs that sound even better with a banjo. It makes sense that the change in instrumentation wouldn't shift much, since according to the release, Nelson decided to record the tribute because the style informed so much of his natural songwriting style.

"Using his own catalog as source material, in the spirit of traditional bluegrass sourcing hillbilly folk music, Willie chose songs combining the kind of strong melodies, memorable storylines and tight ensemble-interplay found in traditional bluegrass interpretations of the roots (from European melodies to African rhythms) of American folk songs," acknowledges the release.

By Texas Monthly'scount (shared in the release), this is Nelson's 151st album. Avid collectors can look forward to a 12-inch special edition pressed in blue vinyl, available for purchase on September 29. Preorder ($29.98) at willienelson.com.

This year the songwriter was honored with a five-part documentary series, a blowout 90th birthday concert, the naming of a prestigious arts endowment by the University of Texas at Austin, and two Grammy Awards. His book, Energy Follows Thought: The Stories Behind My Songs, comes out October 23. He will be inducted into the Rock and Roll Hall of Fame days later, on November 3.

Listen to Bluegrass on your favorite streaming platform. More information is available at willienelson.com.

Cassandro wrestles with lucha libre and homophobia in real-life story

Movie Review

The LGBTQ community and the sports world have long had an uneasy relationship, especially in the United States. There are exceedingly few out male athletes around the world compared to the number of players total, and even though the world has progressed in significant ways, that statistic doesn’t seem likely to change anytime soon.

Although some don’t view professional wrestling as a sport, the culture around it is certainly testosterone-heavy, an idea that’s challenged in the new film, Cassandro. Saúl (Gael Garcia Bernal) lives in El Paso, but regularly crosses the border into Juarez, Mexico to participate in lucha libre matches. On the small side, he’s regularly cast as the runt, who never stands a chance at winning.

Openly gay, Saúl decides to change his wrestling persona to be an “exótico,” allowing him to express himself in a flamboyant manner. With the new wrestling name of Cassandro, Saúl starts to gain the notice of promoters and fans. At the same time, he wrestles with personal issues, including the strained life of his single mother, Yocasta (Perla De La Rosa) and an affair he’s having with a fellow luchador, Gerardo (Raúl Castillo).

Written and directed by Roger Ross Williams and co-written by David Teague, the film has a solidly-told story featuring a mixture of good performances, even if it feels like there’s something missing. The movie has all the hallmarks of an underdog story, and while it hits some of expected signposts along the way, it also strangely seems to hold back in certain aspects.

If you’re not already familiar with the lucha libre culture, the film doesn’t make it easy to get a handle on it. As in all pro wrestling, the matches aren’t “real,” but how and when the wrestlers decide how to perform and who will “win” feels confusing in the context of the film. It’s clear that the confidence Saúl shows as Cassandro makes him more appealing, but the intricacies of lucha libre could have been expounded on a bit more.

This becomes even more evident when fans are shown yelling gay slurs at him and other exóticos. There seems to be a contradictory performativeness to the antagonism, as those same fans soon start supporting him. Oddly, any other explicit homophobia is kept hidden, which - given the time period (the 1980s and ‘90s) and the machismo prevalent in Mexican culture - seems like the filmmakers made a conscious choice to not go down that road.

That and other decisions leave the film a bit flat emotionally. Saúl/Cassandro goes through a lot of upheaval in the film, and while the majority of it is engaging, there isn't a point where the story fully captures your heart. As with other areas, if the filmmakers had pushed just 10 percent harder, it would’ve turned the film from good to great.

Bernal turns in a fantastic performance, despite the fact that, even though he looks younger than he is, he’s a little old to be playing this particular character. Still, he has a charm and athleticism that makes him believable throughout. Good in supporting roles are Castillo (playing a similar role he did in The Inspection) and Roberta Colindrez as Saúl’s trainer. Keep an eye out for Bad Bunny in a small but interesting role.

There’s a lot to like about Cassandro, the story that’s being told, and the performances it contains. But by choosing not to explore certain parts of the story as much as they could have, the filmmakers left a lot of emotion out of it.

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Cassandro is now playing in select theaters. It debuts on Prime Video on September 22.

Photo courtesy of Prime Video

Gael Garcia Bernal in Cassandro.

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