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From Lake Elmendorf to the River Walk, San Antonians are blessed with a surplus of beautiful waterways. Now a local composer is augmenting their visual appeal with a free series of sonic art performances in collaboration with the City of San Antonio Department of Arts and Culture.

According to a release, Alamo City sound artist Pamela Martinez will bring the happenings to two San Antonio dams in March. A Reiki master and educator putting out work as Teletextile, Martinez has toured extensively throughout the United States, Europe, and Asia. National publications such as The Atlantic and the New York Times have lauded her densely layered soundscapes.

Martinez works with a revolving crew of collaborators to execute the events, creating “sound and ceremony” designed for specific sites. The San Antonio performances will explore “water as a carrier of culture throughout the city.”

The first two-act production will occur at Lake Elmendorf's 19th Street Dam on March 4 at 5 pm. The first act, “Transformation,” employs immersive staging to walk the audience into the dam's teeth. Guests are invited to contemplate the theme related to the different states of water and interpersonal development. The second act, “Our Power Together,” features an original score with percussion, horns, and choral elements.

“When I look at a dam, I see an opera house,” says Martinez via a release. “The majestic stage is set for the drama that is our lifeblood in the inevitable overflowing of water.”

Martinez will return for a second performance at the Roosevelt Control Tunnel Outlet Park on March 25 at 5:30 pm. The first act will reprise “Our Power Together,” staged with musicians floating on the San Antonio River in kayaks. The second act, “Flow,” encourages guests to promenade with the cast along the river up to the floating pavilion and the hidden three-mile water tunnel below.

The event will crescendo with “Dam! A Song of Water.” The composition was initially performed in October 2022 at Espada Dam in collaboration with the San Antonio Missions National Historical Park. The piece spotlighted the landmark and the Spanish colonial acequia system.

Both performances will last around an hour. Admission is free, but guests need to RSVP before the show. Tickets can also be upgraded by purchasing a digital download or reserved seating. Walking, however, will be a part of both events.

Participants are advised to dress appropriately for wet areas since performances will be held inside the dams and near the San Antonio River. Closed-toe or waterproof shoes with traction are encouraged. For safety reasons, the events will be rescheduled in the event of rain.

Those wanting to get a jumpstart on the performances can download a DAM! Audio Tour through geo-mapping app Echoes. The location-triggered sounds include remarks about the water’s nature, field recordings, and selections from Martinez’s work.

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'Little West Side gem" sparkles with summer grand opening

DREAMS COME TRUE

Some bar owners talk about community, but the all-woman trio behind new Prospect Hill spot Chiflada’s mean it. The team says the concept, celebrating its grand opening on June 2, wouldn’t have happened without it.

Family and friends turned out to support the bar months before it was ready for the build-out. They turned out again to help transform a vacant bungalow at 1804 West Martin St. into a comfortable and stylish lounge. When the ice machine went on the fritz during the June 27 soft opening, the bar’s supporters flexed their muscles to ensure the drinks remained cold.

Even the West Side neighborhood gave it a seal of approval. Natasha Riffle, who co-owns Chifladla’s with her mother, policewoman Veronica Riffle, and El Buho owner Melanie Martinez, says the team walked door to door to change the zoning, ensuring residential buy-in.

The result is a bar that is by and for the neighborhood. At the soft opening party, Marigolds swayed in the breeze under a pergola as congratulatory bouquets filled the bar’s shelves. Guests busily chattered as popular deejay Sunnyboy played oldies and conjunto hits.

“It feels like you’re at your abuelita’s backyard and hanging with your family,” Natasha Riffle says of the bar’s vibe.

The drinks honor that spirit, too, toeing the line between the neighborhood’s blue-collar roots and the team’s cocktail-making skills. Featured sippers include a punchy Mexican Martini, a melon Paloma, the Chif Peach, and the mezcal-based Smoke on the Water.
“It’s a place to get a nice cocktail, but also a place to get a beer and shot combo,” Natasha Riffle tells CultureMap about the high-low mix.

Ultimately, Chiflada’s feels like home — the type of place folks let loose after a long day at work, where multiple generations can get in on the party and where bartenders become close friends.

“We all lived [on the West Side] off and on,” says Riffle of the team, “and we’ve all worked with each other over the years. We are more of a family than we are co-workers — 100 percent.”

Chiflada's San Antonio

Photo by Joe Rodriquez

Natasha Riffle beams in front of her newly opened bar.

Contemporary Irish pub sprouts up in new St. Paul's Square home

DON'T CALL IT A COMEBACK

One of San Antonio’s most storied bars is gearing up for its next chapter. After a brief hiatus, Southtown hot spot Francis Bogside has reopened in St. Paul Square, along with a sister concept — Anne’s.

The bar first opened in 2015 in conjunction with the fine dining eatery Brigid. The pair had barely been in business for a year before an early morning fire ravaged their shared space in 2016. In 2017, the bar reopened on South St. Mary’s Street sans Brigid, becoming one of Alamo City’s favorite haunts.

In July 2022, owner Steve Mahoney announced another change. Francis Bogside was moving out of its longtime home and into a new location. Eventually, internet sleuths figured out that spot would be 1170 E Commerce St #100 in St. Paul’s Square, the former home of Smoke BBQ.

Though in a new location, the basic DNA of the bar is still intact, with a similar layout featuring a large central bar and a jumble of artwork on the walls. The space, however, is a more contemporary interpretation of an Irish pub with a bold mix of upholstery, up-to-date wallcoverings, and mosaic tiles, all enlivening the mostly brick space.

Though Bogside’s signature cocktails have often strayed from theme, a release promised a return to form with sippers like Paddy’s Irish whiskey-based Irish Maid and low ABV Jammy Lass. As usual, the specialty drinks will be supplemented by various classics, including daiquiris and negronis.

Currently, the bar has a limited food menu of pub grub, like focaccia pizza, wings, and loaded potato skins. A more fully developed menu will be rolled out as it prepares for a grand opening later in June.

The media alert did not offer many details about Anne’s, a wine bar now open in the adjoining space, but did tease at an international bottle list. The concept will also have a dedicated food menu, although no details were shared.

Currently in its soft opening phase, Francis Bogside welcomes guests 4 pm-2 am Tuesday through Sunday. Anne’s operates Wednesday through Sunday with the same opening hours.

Francis Bogside San Antonio

Photo by TXTroublemaker

A large central bar is the focal point.

5 tips to build stunning sand sculptures from 2023 Texas SandFest winners

Fun at the beach

As summer fast approaches, sandy vacations to coastal destinations are on the horizon for many travelers. For those with kids in tow, sandcastle-making might top the list of beach trip must-dos.

But “playing” in the sand isn’t just an activity for children, as proven by the 22 professional sand sculptors from around the world who recently competed in the 26th annual Texas SandFest, held in Port Aransas in April. The internationally recognized event, started by Port A locals in 1997, is the largest native-sand sculptor competition in the nation; nearly 70,000 people attended this year.

Competition entries featured everything from mermaids to the Grim Reaper, all intricately carved, brushed, and chiseled from sand, ocean water, and perhaps a little diluted spray glue that sculptors say helps maintain detail. The competitors work on their masterpieces during the event, allowing spectators to witness their progress from start to finish.

“I do around five international sand sculpting competitions per year. It’s always a great challenge to compete a high level,” says Benoit Dutherage, a competitive sculptor from France who also creates snow sculptures in the French Alps during the winter.

Dutherage took first place in the Duo Masters category, along with his sand sculpting partner Sue McGrew, for their work called “Wish You Were Here.” Comprised of two loving faces (one mystically cut in half), the sculpture was a tribute to Pink Floyd.

“We like to reflect human emotions in our sculptures,” he says. “It is never easy to pick an idea among the thousands of ideas we have.”

Florida resident Thomas Koet, whose sculpture called “The Prospector” won first place in the People’s Choice category, intended to create something with horses and a cowboy as an homage to Mustang Island, where the competition took place. High tides just before the event thwarted his plans.

“The high tide washed away so much of the sand, I had only enough left for a mule or a foal,” he says. “So I decided to make an old prospector with a mule.”

Thinking out of the box when it comes to carving sand is just one of several suggestions Koet has for recreational sand sculptors. (“Who says it has to be a castle?” he says.) He and other winners from the 2023 Texas SandFest say they are always happy to see novices get creative.

Here are five of the pros' top tips for producing a beachfront masterpiece.

1. Think beyond the standard sandcastle
“Design and sculpt outside of your comfort zone,” says Abe Waterman, a sculptor from Prince Edward Island, Canada, who took first place in the Solo Masters division with his sculpture, “Sleeps with Angels.” The mega sculpture featured four angels at four corners holding a blanket carrying a sleeping woman. “While this may not lead to the best sculpture results, one will improve faster by doing this.”

Waterman noted that there are different types of sand depending on location. Some are better suited for detailed work while others work well for verticality. “But something can always be sculpted regardless of the sand quality, the design just may need to be altered,” he says.

Koet recommends picking something that will fit your attention span. “You can make anything you want,” he says. “You can make a cat, a shark, a monster truck, your high school mascot, a sneaker, or a shark eating an ice cream cone.”

2. Use the right tools
Forgo the cheap tourist shop plastic bucket and shovel set. “You definitely need proper tools to get a good result: A solid shovel, a few trowels – not too big – and a wall painting brush to clean your sculpture,” says Dutherage. “You’ll also need buckets.”

Think big painter’s buckets, he says, used to make what’s essentially “sand mud” consisting of lots of water and sand. Which leads to the next tip ...

3. Create a form mold
Consider this the secret to head-turning sand sculptures. Whether it’s a 10-foot-tall wooden box with sides that come off, or a plastic bucket with the bottom cut out, a “form mold” is an open-top vessel used to hold packed sand and water to create a carve-able structure.

“It’s a very useful thing to have in order to get a solid block, and to go high,” says Dutherage. “If you are a handyman, you can build your own forms. But a quick solution is to take a bucket, no matter what size, and cut out the bottom. Then put that bucket upside down on the sand. Add a few inches of sand, some water, mix with your trowel and compact that layer. Repeat until the bucket is full. Then gently pull the bucket up and surprise! You will get a nice block of sand ready for a sandcastle full of windows, arches, and gates.”

The compacted layers of sand and water almost act as cement, creating a sturdy base for carving. Dutherage says folks can easily repeat the form mold process to create multiple bases, either side by side or stacked.

4. Use plenty of water, for the sculpture and yourself
Benoit recommends adding even more water during the sculpting process.

“Bring a plant sprayer,” he says. “Sand needs to be wet to be sculptable.”

Even rain during sand sculpture building isn’t necessarily a bad thing. “One of the biggest misconceptions is that rain will destroy a sand sculpture,” says Waterman. “While this is possible, most often it just textures the surface.”

Water is also essential for the sculptor, as staying hydrated is key during the process, Waterman adds.

Texas SandFest

Texas SandFest

"The Prospector" took first place in the 2023 Texas SandFest People's Choice category

5. Practice, Practice, Practice
“The biggest misconception is that I do anything different than anybody who does it only for the first time,” says Koet, who’s been sculpting sand for 25 years. “Sure, I bring more and bigger tools and I spend much more time shoveling the sand high and mixing it with water. But there is no magic other than years of practice.”

Waterman, who admits sand sculpting has taken over his life, competes in up to 10 contests a year and also creates sculptures for exhibits and corporate commissions.

“Tricks and tips will only get a person so far,” he says. “But ultimately practice and putting the time in will get them a whole lot further.”

Benoit agrees. “Making a sand sculpture requires a lot of work and the more you practice, the better you will get,” he says. “But first of all, you have to enjoy the fun of it.”